It is a truth universally acknowledged that a writer in possession of a good story must be in want of a publisher.
It’s the age old story. You have so many hopes and dreams. You have all these wonderful stories to tell. You know that it will take an attachment, a proposal and perhaps a big commitment to make you moderately rich and a teensy bit famous. So you, the perfect Lizzie Bennet, who will only writes for love, not necessarily £10,000 a year, will be happy just to attach yourself with a publisher who respects you.
Fortunately for you, your access to publishers on the internet is an inviting a prospect as a town full of regimental soldiers to a 16-yearold girl. But if you don’t have a benefactor such as the much lauded Lady Catherine de Burgh, or your family’s connections are little more than a barrister uncle in Cheapside, you’re going to have to figure it out on your own.
Never fear. This list will give you some guidance.
Top 10 Things to Consider When Choosing A Publisher With The Same Care As Jane Austen Heroine Choose A Husband
- You’ll attract folks like you. If you want the best, then be the best. Before you start looking for a publisher, make your story the best it can be. I know, you’ve been working on it for a long time and it really is good. It’s not silly like Lydia or Kitty’s, and it’s not quite as good as Jane’s (but she’s being courted by the Big Six.) Your first responsibility as a writer is to write well. Take your time. Learn from the greats. If you are going to take your writing seriously and you want to attract publishers who take writing seriously, then push yourself to the most excellent level. If you want to make a fast buck, then you’ll attract publishers who want to do the same. Don’t know where to get advice? Start with hanging out at my Facebook group, 10 Minute Novelists, which was named by Writers Digest as one of the top 101 sites for writers for advice.
2. Get the right kind of feedback from those knowledgeable in the industry. They will push you to excellence and the right connections. Your story is level headed. It has a liveliness to it, it’s been tempered by your exposure to great literature and you’ve been told, more than once, that it has “fine eyes.” But the best advice will come from critique groups, beta readers, editors or experienced writers who know the business and can honestly show you where to improve. You need to listen to them and improve your story in the very best way you can. You also never know who knows who. It does pay to be connected. I recommend Scribophile as a great resource. 10 Minute Novelists has a group there. Check them out. Ask for Sara Marschand. She’s awesome!
3. You understand your own goals for publication. Some writers have Rosings Park ambitions. Some will be content with Longbourne. (Forget Purvis Lodge. The attics there are dreadful!) If you don’t know what you want, then it will make choosing a publisher all the more difficult. This is what I did: I tried to find books, both fiction and non-fiction, that were similar to mine in content. I looked at who published them and who represented them. I asked myself if I wanted my books to be lumped together with these kinds of books. If I did, then it was from this list of publishers and agents that I would do research. If I didn’t, then I kept looking until I found books that were a better match. Writer’s Market is a great resource for writer willing to do the research. Get the book!
4. You have a full understanding that an entire industry has been created to take advantage of desperate authors. And along comes your first contact with a publisher. He is tall, dark, handsome (okay maybe not in reality, but go with me, this is fun!) He is a mercenary. He may not be interested in art. He may not be interested in your long term goals. He may just want to cash in from your hard work. Legitimate publishers, who have good reputations, are, in this current economic climate, not likely to initiate relationships with writers. They don’t have to. They’re turning manuscripts away constantly. It’s the less than trustworthy who are Googling authors and trying to sign anyone. Anyone. What to do? Go to Preditors and Editors and look for the names of reputable and notorious publishers, agents and editors. This is like Consumer Reports for writers. You’ll be really glad this site warned you about that Wickham!
5. If the publisher that contacted you is a start-up with few past authors, you need to be careful. This should be a red flag. If you are their first client, or one of the first, it’s not likely that they have the credentials or the power or the skills to make you famous or even sold. Get names of anyone associated with them and send a few emails. Ask this, “I understand you worked with Wickham House for your book on gambling. Was that a positive experience for you?”
6. You should get a third party to look over a contract or legal document. If this potential publisher wants you to sign something, it is in your best interest to ask a lot of questions. Find a lawyer that specializes in contracts, or ask an agent to look something over for you. You don’t have to sign with an agent to sign a contract, but if you should be fully informed in what you’re signing. This is not one of those moments when I agree to the terms and conditions should be your knee-jerk reaction. And if your potential publisher doesn’t have a contract to sign, that means they’re depending on verbal agreements. This should be a red flag for you. A reputable publisher will be happy to provide you a contract, make adjustments, be patient with you while you get someone to look over it, and calm your nerves.
7.Make sure that they have professional editors working for them. Get names. Ask for specifics. Just because they say they’ll handle the editing, doesn’t mean that they will. You would hate it if your ARC was full of spelling and punctuation errors. It would be as embarrassing as having your petticoat six inches deep in mud. Need to find an editor? This is a list of reputable editors who would be happy to help you prepare your manuscript for publication. Check them out.
8. Make sure that they have professional graphic designers working for them. Ask what happens if you don’t like the cover. Ask other authors if they liked their covers. Ask for them to show you all of the covers that they have been responsible for in the past. If you don’t like what you see, you may want to rethink this relationship.
9. Know the difference between a self-publishing house, an indie house and a vanity press. More importantly know what kind of publishing house you are working with. Check out this article that explains what a vanity press is and why you sign up with on, you just may regret it.
10. Don’t be desperate. Beginning writers think that having the word “published author” is like a halo of legitimacy. In some ways it is, but waiting to get published with a reputable, trustworthy publisher is far better than rushing into a relationship that you’ll want to get out of in a few months. Take your time. Do your homework. Someday I’ll use your book to teach your ten children how to play their instruments very ill.
Because you want so badly to be published, you’re not much different from the sad situation that all young women of the Regency Era were in.
You want to be published! That’s been the goal all along! Your mother has four other writers in the house who need to marry well because if they don’t the estate will be entailed away to Harper Collins! (Oops, sorry. I got carried away!) But trust me, you don’t to sign up with the first soldier that comes along.