It is a truth universally acknowledged that a writer in possession of a good story must be in want of a publisher.
Fortunately for you, your access to publishers on the internet is an inviting a prospect as a town full of regimental soldiers to a 16-year-old girl. But if you don’t have a benefactor such as the much-lauded Lady Catherine de Burgh, or your family’s connections are little more than a barrister uncle in Cheapside, you’re going to have to figure it out on your own.
Never fear. This list will give you some guidance.
- You’ll attract folks like you. If you want the best, then be the best. Before you start looking for a publisher, make your story the best it can be. I know, you’ve been working on it for a long time and it really is good. It’s not silly like Lydia or Kitty’s, and it’s not quite as good as Jane’s (but she’s being courted by the Big Six.) Your first responsibility as a writer is to write well. Take your time. Learn from the greats. If you are going to take your writing seriously and you want to attract publishers who take writing seriously, then push yourself to the most excellent level. If you want to make a fast buck, then you’ll attract publishers who want to do the same. Don’t know where to get advice? Start with hanging out at my Facebook group, 10 Minute Novelists, which was named by Writers Digest as one of the top 101 sites for writers for advice.
2. Get the right kind of feedback from those knowledgeable in the industry. They will push you to excellence and the right connections. Your story is level headed. It has a liveliness to it, it’s been tempered by your exposure to great literature and you’ve been told, more than once, that it has “fine eyes.” But the best advice will come from critique groups, beta readers, editors or experienced writers who know the business and can honestly show you where to improve. You need to listen to them and improve your story in the very best way you can. You also never know who knows who. It does pay to be connected.
3. You understand your own goals for publication. Some writers have Rosings Park ambitions. Some will be content with Longbourne. (Forget Purvis Lodge. The attics there are dreadful!) If you don’t know what you want, then it will make choosing a publisher all the more difficult. This is what I did: I tried to find books, both fiction and non-fiction, that were similar to mine in content. I looked at who published them and who represented them. I asked myself if I wanted my books to be lumped together with these kinds of books. If I did, then it was from this list of publishers and agents that I would do research. If I didn’t, then I kept looking until I found books that were a better match. Writer’s Market is a great resource for writers willing to do the research. Get the book!
4. You have a full understanding that an entire industry has been created to take advantage of desperate authors. And along comes your first contact with a publisher. He is tall, dark, handsome (okay maybe not in reality, but go with me, this is fun!) He is a mercenary. He may not be interested in art. He may not be interested in your long term goals. He may just want to cash in from your hard work. Legitimate publishers, who have good reputations, are, in this current economic climate, not likely to initiate relationships with writers. They don’t have to. They’re turning manuscripts away constantly. It’s the less than trustworthy who are Googling authors and trying to sign anyone. Anyone. What to do? Go to Preditors and Editors and look for the names of reputable and notorious publishers, agents and editors. This is like Consumer Reports for writers. You’ll be really glad this site warned you about that Wickham!
5. If the publisher that contacted you is a start-up with few past authors, you need to be careful. This should be a red flag. If you are their first client, or one of the first, it’s not likely that they have the credentials or the power or the skills to make you famous or even sold. Get names of anyone associated with them and send a few emails. Ask this, “I understand you worked with Wickham House for your book on gambling. Was that a positive experience for you?“
Because you want so badly to be published, you’re not much different from the sad situation that all young women of the Regency Era were in.
So before you sign, take the time to really get to know your publisher and do your research.
And your ending will be a happy one.
(Next week? Five more things to consider!)