This post is exactly what you need, assuming you’re not so stuck that you can’t read a screen.
If you’re stuck figuratively in the writing of your novel and you need a clue on what to do next, this list is for you.
If you are stuck literally: you have gum in your hair, you’re dealing with Super Glue or you’ve driven into a ditch, I can help you there too.
I’ve got all kinds of unstuck solutions for you below. Why do this? Because bouncing back and forth between the literal and the figurative isn’t the least bit weird.
Figurative Stuck Tip #1:
Go back and remember the requirements of your genre. So this is a romance? You need a misunderstanding. This is fantasy? There’s something magical in his pocket and he doesn’t know how it got there. This is science fiction? You just lost all your oxygen. Do something, fast, or everyone is dead! This is Young Adult? You’ve either been inspired by your favorite poet, you’ve written bad poetry that you want to share, you have to write a book report about a poet or your Emo sister thinks she’s Emily Dickinson. This is a mystery? Oh, someone needs to drop dead. Right here. Under mysterious circumstances. Even if it’s a red herring, do it anyway. My point is that sometimes we get too close to stories and we forget what we are trying to accomplish. If you go back to the “rules” you may be inspired.
Literal Stuck Tip #1:
If you get gum in your hair, rub it with coconut oil and then comb it out. Or you can try these other options from WikiHow.
Figurative Stuck Tip #2:
Have your character take a rest. Pull back a little. Let the main character sit down and eat or sleep or rest and rethink all of what their up to. Remind the reader the mission that’s at stake. Why? If you have a lot of drama, action or intense scenes, your main character needs a breather unless his name is Jack Bauer. He needs to process all the action and so does your reader. You can always cut this later, but you may find that this helps you see the big picture and give you an idea on what to do next.
Literal Stuck Tip #2:
Your crazy aunt has gotten into the Krazy Glue again, hasn’t she? When will you learn to keep it out of her reach? When will you learn how to unstick her fingers? The good folks at Krazy Glue have answers. Here’s a tip, don’t let the person with Krazy Glue on their fingers have access to the computer’s mouse.
Figurative Stuck Tip #3:
You may need a good tornado to shake things up a bit in your story. Not seasonal? Not the right part of the country? Then an earthquake! A hurricane! A blizzard! A freak thunderstorm! And with every natural disaster you could have power outages, flash floods, injuries and deaths! Never underestimate the power of the earth to cause some great drama for your story!
Literal Stuck Tip #3:
Allstate Insurance apparently has had a few calls about this. So many that they apparently had to write a blog post about how to get your truck out of the mud. I suppose that’s helpful of them, but maybe you shouldn’t be driving in the mud to begin with? Oh, I get it. The flash flood from the previous paragraph did this! I swear this list is getting very dramatic!
Figurative Stuck Tip #4:
Bring in your antagonist’s antagonist. Someone is out to get your bad guy. He’s a bad guy, he’s made an enemy or three, right? Your bad guy owes someone money. Your bad guy or gal is connected romantically with the wrong flirt. Your bad guy or gal is getting a little too big for his britches among the powers that be. This is a force that can stir up some interesting trouble in your story and maybe can be used for your protagonists advantage.
Literal Stuck Tip #4:
Let’s say you’re out camping and you wake up in the middle of the night needing to um, shake the dew off the lilies. But you can’t get your tent zipper open! It’s stuck! Perhaps in your camping gear, you packed any of these nine household items that can unstick a zipper. But keep in mind, that stuck zipper could be all that’s between you and bears. You may want to leave it stuck.
Figurative Stuck Tip #5:
A innocent needs help and needs it right now, like say, she needs to tinkle and can’t get out of her tent. How better to demonstrate the virtue and goodness of your protagonist (and make him interesting and likable to your reader) than to put in in the way of someone who really needs help? A small child. An unwed mother. A hurt puppy. Have your main character stop everything, because they have that streak of goodness in them, and possibly WD40, and help them. And in the middle of the helping of them, they realize the clock is ticking or opportunity is missed, or they dropped their gun or THEY SAW A BEAR something happens that will keep them from accomplishing their ultimate goal. They need to not only be delayed but also regret, even for just a minute, thinking about someone else when they needed to care for themselves.
Literal Stuck Tip #5:
You find it hard to swallow. I’m not talking about this literal/figurative list, I’m talking about actual food. This is a video that demonstrates how to administer the heimlich maneuver. People, slow down. Chew your food thoroughly!
Figurative Stuck Tip #6:
Someone from your main character’s past shows up. The ex girlfriend/boyfriend, the one that he thought he was going to marry, shows up and has a really good reason to talk to our main character. Maybe she misses him. Maybe she’s changing her mind. Maybe she’s really a psycho who just likes toying with him. It almost doesn’t matter what genre you write, everyone has a past. Use it to mess up your character’s plans!
Literal Stuck Tip #6:
As a homeschooling mother of five, I have a lot of quick fixes to big problems. I’ve divided a candy bar into fifths and had five content children. I’ve explained all they needed to know about the facts of life, in a whisper, during a church service, in 7.5 seconds. I can make dinner for my large family in 15 minutes if everyone is out of my way, but I’m no MacGyver. You could do a lot worse in your literal stuckness than if you read this book and be prepared for anything.
Figurative Stuck Tip #7:
Your sidekick has second thoughts. Up until this point, your sidekick has been the person that your main character has depended on to keep going. Kind of like Pete Thornton or Jack Dalton or Murdoc. Kinda. But now the sidekick should get kicked to the side. Forget MacGyver, let’s think Hobbits! You know how in The Return of the King when Gollum tries to make it look like Sam at all the lambas bread and then lied about it? Frodo, understandably because he was a complete basket case at that point, kicks Sam to the curb and is willing to go on without him. Sam’s explanation is harder to swallow than lambas bread. And neither of them appear to know the heimlich maneuver. Of course, if this hadn’t happened, then Sam wouldn’t have been able to save Frodo’s sorry butt yet again, but this little bit of drama was awful. Can you set up a situation like that where your sidekick either disagrees with your main character, or speaks the truth when it’s not welcome or sees something your main character doesn’t see? This will add to your conflict beautifully, especially when sidekick comes up just at the right moment and saves the day.
Literal Stuck Tip #7.
If you are ever out fighting a Ringwraithe and you get stabbed by sorta dead king, it’s great to have an elf on your side to race you to Rivendell. And Kingsfoil. That helps too. I bet Arwen knows the heimlich maneuver just fine. Yes, I realize that my literal stuck tips are getting kinda figurative. Here’s another tip: When you don’t know what to write about, throw in a hurt hobbit.
Figurative Stuck Tip #8.
What is your story’s big finish going to look like? We all know that the big climactic moment is the doorway in which Act Two moves into Act Three, and you may or may not know what you have to do to get there. Why don’t you mentally jump ahead and list a few necessities. Like, what kind of trap will your hero have to be in? What kind of mutually exclusive choices will he have? What pressures will he have? What will the antagonist have at that moment to make life miserable? How can you get our hero out, without it making look too easy? Once you’ve answered these questions, work backward. (Here’s a hint: your reader has no idea in what order you wrote your scenes in!)
Literal Stuck Tip #8:
I’m a mother of five. That means that at some point, I had five toddlers. Sometimes more than one at a time. So when I say that you really need to know how to unstick a clogged toilet, I know what I’m talking about. This video can show you more. This is a serious life skill. I wonder what MacGyver has to say about this?
Figurative Stuck Tip #9:
Think Third Act. Even if you don’t have your climactic moment all sculpted out, ask yourself what do you want to accomplish? Every good ending is a permanent one that makes sense to the reader. What do you want your ending to be? If you can write out in a paragraph what you want from the ending, then you can think backward from this point too and try to see the steps necessary to put your protagonist in that situation. Your antagonist needs to be foiled. How will you foil him?
Literal Stuck Tip #9:
Here’s a bunch of photos of unusual things stuck in unusual places. I have no idea how they got them unstuck, but I tell you what, this could be a great way to unstick your story.
Figurative Stuck Tip #10:
In a couple hundred words or so, tell the story from the point of view of another character. This may give you fresh insight into the conflicts. It may reveal a misunderstanding or hidden motive. It may clarify something that’s been bugging you.