(Author’s Note: For June, July & August, this blog will be posting on Mondays & Thursdays only!)
A writer’s voice is a complex, hard-to-describe thing.
I think it could be compared to a rich cheese, a well-crafted symphony or a good wine.
The complexities of each of these come from a variety of sources — Cheese, music, and wine are complicated. Voice is complicated too.
A writer’s voice can be influenced by many different things.
Each of my children could re-tell me the story of The Three Pigs, but they would all do it differently. The differences between their interpretations will lot to do with their individuality. The distinction between the different presentations would be their voice.
So how does our voice develop? I’d like to suggest beginning novelists tinker with influences. Show me a writer with a rich voice, and I’ll show your someone who has read great books most of their life. A writer with strong voice studies voice either consciously or subconsciously, and this is reflected in the words they put down. You can also find some practical tips here.
How do you find your writer’s voice?
A writer with a strong voice will be one who writes often. He is at ease with a variety of words. He may understand the use of grammar rules and manipulates the rules to serve his purpose.
To find you voice, you must have three things: Exposure to beautiful words, regular writing practice, and time. There is no short cut.
Exposure to beautiful words: You need to read. Read as many books as you can. Read your genre, but don’t be snobby about other genres. Try reading the classics, and try to figure out why they are so great. Read writing blogs but always be reading and thinking about what you’re reading so that the words settle into the climate of your subconscious just perfectly. Then when the atmospheric conditions are perfect, you have a storm of words that is wonderful and dramatic and maybe even scary.
Regular writing practice: Developing strong voice is much like developing muscles for great athletic accomplishment. If you sit at the keyboard repeatedly and daily put your thoughts together in a coherent way, you get better at it. You may be able to train yourself over and over to see grammatical errors, then you’ll get better and more efficient at spotting them. With practice, you can say things more clearly and precisely. Make a daily word count goal and keep it. Or plan to write a half hour each day. Find the way that’s best for you and do it!
And then there’s time: It’s common to suggest that after 10,000 hours one has mastery of a skill. You may not be able to track that in this lifetime. Don’t worry about it. Instead, focus on what you can to in the next ten minutes. You’ll be surprised at what you can accomplish. Believe this: no time is ever wasted. What may look like a loss is really life experience. You can make up for lost time. YOU CAN.
A writer with a great voice will also know their strengths.
Are you funny? Encouraging? Are you really good at analyzing LOL cats? Put your energy into this! You’re probably passionate about it too. And people will notice that you are good at it and they will want to hear more from you. Become an expert. Read everything you can get your hands on about your favorite subjects. Apply the principles in new and exciting ways.
It is voice, I would like to argue, that carries the most artistic weight of our storytelling.
The nuances, the experiences, and the complexities make us who we are. Thus, our stories will be unique to all of us. Look for ways to enjoy your life, read and write and you’ll be working on your voice.
You won’t be able to help it.
Katharine Grubb is a homeschooling mother of five, a novelist, a baker of bread, a comedian wannabe, a former running coward and the author of Write A Novel In 10 Minutes A Day. Besides pursuing her own fiction and nonfiction writing dreams, she also leads 10 Minute Novelists on Facebook, an international group for time-crunched writers that focuses on tips, encouragement, and community.