Tag Archives: scenes

Panning for Gold-Finding Your Best Ideas

Ideas are a dime a dozen for us creative types. Often they come in the most inopportune moments or lead us on bunny trails mid-scene. And yet, when we go to decide what happens in the next scene, we often find our brains zone in on the obvious or worse go blank.
Finding Your Best Ideas

Finding our best ideas for a scene is like panning for gold. We have to sift out the 90% that is just dirt and then analyze the last 10% to determine what is fool’s gold and what is real gold.

Being time crunched writers, we need to learn to do this as efficiently as possible. So here are some steps to help you through the process.

Decide what the purpose of the scene is.

You have to dip into the muck of the story problem. Does your main character needs to encounter the antagonist? Do they need to have their wound poked? Do they need to have a mirror moment where they look into their own soul?

Break up the dirt clods.

You have a purpose now you need to figure out what kind of situation the protagonist can be in to encounter that situation. This is usually the hardest part. Sometimes there is a logical next step in the story, other times anything can happen.

If you have a man who has just committed a crime and is on the run from the police where would he go? How would he get there? Would he steal a car and drive until he ran out of gas? Would he run to a friend’s house? Would he take off on foot and find some place to hole up?

If you know the purpose of the scene it makes it easier to break up all the potential ideas

Filter out the obvious idea stuff.

Sometimes you have a scene idea in your head because that’s the logical thing that must happen next. If your character is on a road trip and they need to encounter another character they are obviously going to have to stop somewhere and get out of the car. Most writers would have them stop at a motel, fast-food restaurant, or gas station, or maybe break down on the side of the road.

But that’s so obvious. That’s what the reader expects. So what is the NOT-so-obvious way for the protagonist to encounter the antagonist for the first time? Could they get a phone call? Pick up a hitchhiker? Hear the person on the radio? See them on a billboard on the side of the road?

Come up with 5-10 alternatives for your next scene.

You got some good ideas that could be potential gold.

At this point you should spend about 10 minutes just brainstorming the top ideas. What kind of billboard would the antagonist be on? What kind of radio song/program/commercial? If they’re a hitchhiker what would they look like? What would their story be? Why would your MC stop for them?

After you work out the ideas, pick the three most interesting.

Finding the gold.

In the end, you have to choose the best idea. You have to separate the fool’s gold from the real gold.  How?  Run it by a writing partner or another published author you know to get feedback on the uniqueness and quality. If you don’t have a supportive group of writers now is the time to find one. You don’t have to share your ideas with the world, but 2-3 trusted sound boards are essential.  Try and find people in your genre who have more experience than you do.

If you are still not ready to share the idea, then pick the most unique one. James Scott Bell says that often the last idea you came up with is the one that has the most potential.  Go with your gut. Which one really fulfills the purpose of the scene? Which one can carry some symbolism or foreshadows future events?

When you find your gold. Write a quick and dirty scene. The worst that can happen is you find fool’s gold.  Toss it and go back to your top three list and choose another.  The key is not to play it safe and predictable.  Real gold isn’t easy to find.

Any other advice you would give to someone looking for the golden ideas for a scene?

Jessica is a prayer warrior who loves to encourage and teach others how to create safe spaces for the hurting and lost. In 2014, she graduated from Western Governor’s University with a B.A. in Educational Studies and published her first book, Surviving the Stillness. She has written for several blogs and online magazines and is an admin and contributor for 10 Minute Novelists. She also created and manages their annual 365 Writing Challenge, which encourages writers to develop the habit of writing daily. You can learn more about her at her website, authorjessicawhite.wordpress.com or on Facebook.

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Nine Strategies to Make Your Scenes Feel More Cinemagraphic

Have you ever read a book whose scenes felt movie-like?

You’ve read the books that flowed seamlessly from one scene to another.

You’ve read over the descriptions of the settings that were rich and details. As you turned the pages, you may have had a sense of action and tension that felt exactly right. As you read dialogue, you could actually hear the characters speaking. You saw them bust into the safe, stash the jewels into their pockets, and scurry out the back door before the owner walked in the front. You love books that read like movies. 

The scenes of the book are so rich, you’re tempted to whip up a batch of popcorn.

Nine Ways To Make Your Scenes More Cinemagraphic by Katharine Grubb 10 Minute Novelist

You can write your books that way too. But it will take vibrant and action-packed scenes.

Cut out long descriptions. If you want your book to play in a reader’s head like a movie, then you need to keep the “camera” moving through the scenes. In a film, the camera wouldn’t spend too much time on detail of an inactive object or a setting because it would bore the reader. The director is counting on the viewer to put information together on their own. In the same way you can give your reader only the necessary details of description. Your goal is to make your scenes into a rich world, but do it concisely so that the reader stays interested.

Reduce the inner dialogue for characters. A well-composed character has lots of pain, desires and quirks. It’s tempting to over-monologue the character because you’ve put so much thought into him. Don’t do it. Like too much description, too much characterization can bog the story down and bore the reader. Instead, reveal the personality in the main character’s actions and dialogue. Scenes full of showing, not telling, will keep the story moving.

Keep the characters moving. With each scene, give your characters reason to get up and get going. They need to do stuff with their hands. They need to pick their cuticles, feed the dog or tap their fingers on the steering wheel while they are driving. These little actions create a visual image to your reader. If their action changes it can also add tension. You want tension in all your scenes!

When writing screenplays, it’s a matter of remembering to leave off the page anything and everything that doesn’t appear on the screen.

–Taiye Selasi

Be diligent about backstory. You may have spent months crafting the backstory of your hero. You’ve labored over his desires and goals. You know all his tragedies and fears. You’ve worked at him. Unfortunately, your reader won’t find his story as interesting as you do. Some backstory is always necessary, but it can slow down pacing. Be brutal when cutting it out. Only share what is the most necessary.

Don’t spoon feed your reader with the obvious. A film director has to get his entire story told in 90 minutes. He can’t afford to underscore each point for the viewer. He has to depend that the viewers will the blanks in as they watch (Or lean over and ask their wives what the heck is going on, and then she promptly elbows him in the gut and tells him to be quiet!) In the same way, you need to keep up your pacing and hope that the reader will follow. If you’ve done everything else well, he probably will!

Nine Ways To Make Your Scenes More Cinemagraphic by Katharine Grubb 10 Minute Novelist

Give each scene a clear objective: either the main character got one more step closer to the goal or he didn’t. Before you write a new scene, ask yourself: will he get closer or not? How can I take victory out of his hands? Can I push him to success unexpectedly? How can I garner sympathy from the reader in his plight? Can I get the reader to cheer his success? If your scenes aren’t making that distinction, then you’re creating something static. Don’t bore your reader with inaction.

Understand the emotional temperature of each character in the scene. I find it helpful to see a scene in my head and list the characters in it. Then I list their exact emotion during that scene. I make sure that they react to the events in logical way. Also, I make sure that they argue or find conflict. No two people see the same thing the same way. Your characters should be no different. Make their actions and their dialogue reflect these varying emotional differences.

If I really considered myself a writer, I wouldn’t be writing screenplays. I’d be writing novels.

Quentin Tarantino

Choose vibrant verbs. It doesn’t matter what you’re writing, choose active verbs! “We went to the store,” is boring. “We ambled to the pharmacy,” is so much better.

End chapters with a question or mid-conflict. The scene finishes and you’re just about to tell the reader how it sums up, except don’t. Your characters have spent five pages getting to the treasure. They open it up but you don’t tell your reader what’s in it! The friends drove to that great party on the other side of town, but they get into an argument on the way there about that girl. They show up at the party not speaking to each other. The reader will be forced to wonder, do they make up or not? 

You can also look at this article by Jody Hedlund. She has advice about this too!  And you can also see a different viewpoint altogether on K.M. Weiland’s blog too. 

To make your books feel more like a theatrical experience, think action in nearly every way. Your readers will feel like they are playing out the story alongside your characters. And you? You’ll be the next Michael Bay or Tim Burton.

Now, please pass the popcorn!

 


I am a fiction writing and time management coach. I help time crunched novelists strengthen their craft, manage their time and gain confidence so they can find readers for their stories.

Katharine Grubb is a homeschooling mother of five, a novelist, a baker of bread, a comedian wannabe, a former running coward and the author of Write A Novel In 10 Minutes A Day. Besides pursuing her own fiction and nonfiction writing dreams, she also leads 10 Minute Novelists on Facebook, an international group for time-crunched writers that focuses on tips, encouragement and community.