Tag Archives: ’90s television

Top 16 Close-Talking, Double Dipping Tips to Succeeding At Nanowrimo!

Nanowrimo is National Novel Writing Month.

For 30 days in November every year, hundreds of thousands of writers all over the world try to get 50,000 words on paper. In a perfect world, these words would be brilliant and profound. It’s far more likely that the words are a big hot mess. If you are participating, this is the perfect time to organize your ideas and get ready! The objective is to write as much as possible, you know, yada, yada, yada, not to be beautiful doing it. Sign up here so you can participate this November!

I believe that the objective of 50K words in 30 days is doable for anyone who wants to try.

I also believe that much is to be gained from the whole exercise, even if it isn’t a coherent story. I’ve broken down the steps to writing a story for Nano into super-easy steps. If you follow them, you’ll easily make your goal. (It’s only 1,667 words a day. You can DO that!)

So here we go! (This is the Seinfeld version so I suggest you regift your label maker, put on your puffy shirt, and spare a square!)

 

Step One: Start your story with Did you ever notice  . . .. Is that cheating?  NO! It gets you going and now you only have 49,996 words to go.

Step Two: Pick Two Names: Almost any two will do. Let’s go with Jerry and George

Step Three: Describe these two characters. List their favorite things, their appearance, and their relationships. They also need a job that is unrelated to the genre of the book, like say, make them work for Vandalay Industries! In the import/export business! Say they really, really like velvet!

Step Four: Give them an antagonist. This determines your genre. If it’s a mean girl/boy, then it’s chick lit, (Susan?) If it’s a tall, dark stranger who they think is a pain in the butt (at first) it’s a rom-com, (Putty?) If it’s a mysterious colleague with secret who may do something violent to protect it then it’s a thriller, (Tim Whatley?) If it’s someone who had committed a crime and he doesn’t want our couple to find out about it, it’s a mystery, (Newman and what he did to that poor dog!) If it’s bigger than a personality, like, say, a government agency, then it’s a spy thriller, (Kramer probably knows something about this!) If it’s a non-human but nothing technological is involved, then it’s a fantasy. (“The sea was angry that day, my friends!”  If it’s a non-human but technology IS involved it’s science fiction.(The Bubble Boy!) Okay, so these are loose definitions, but this is Nanowrimo! There is no need to get technical, not that there’s anything wrong with that.

Step Five: Give them a setting. Make it consistent with the antagonist. Delis in NYC are more for romantic comedies than for science fiction. You could also hang out in Jerry’s apartment, but the local soup Nazis will do too.  But you know what, it’s NANOWRIMO! Go ahead, break the rules, and while Jerry and George are waiting for the baddie to show up, they can order twenty-seven things on the menu, as long as they follow the rules, because that will pad you with a lot of words! Or maybe Kramer drops by because he wants something!

Step Six: Give them an objective: All this means is that the characters want something. They want to be loved. They want to be famous. They want to be secure, forgiven, avenged, or safe. These are primal needs and everybody wants them. You don’t need to worry about the specifics of the objectives, that will come later.

Step Seven: Give them a handicap: What will keep them from meeting their objective?  Sure, the antagonist will do his part, but there’s got to be more. Let’s say George is an incompetent Yankees employee who thinks uniforms should be made of cotton. Let’s say Jerry has the bad habit of bringing Pez dispensers to piano concerts. Be as nonsensical and illogical as you want because HEY! THIS IS NANOWRIMO! 

Step Eight: Give them something to say:  Open your scene with dialogue. Your pair is bickering because of something. This shouldn’t be hard to come up with. As they bicker, the reader learns about their big objective. There is no topic too small to talk about. You can talk about Snapple. You can talk about why the girl you know wears the same dress every day. You certainly can talk about Superman.

“It all became very clear to me sitting out there today that every decision I’ve ever made in my entire life has been wrong. My life is the complete opposite of everything I want it to be. Every instinct I have, in every aspect of life, be it something to wear, something to eat – it’s all been wrong.” –George Costanza

Step Nine: The antagonist makes an appearance OR someone challenges them to acquire something. They are sent off on their mission. They bicker about it some more. They get distracted. Now write about this! NEWMAN! 

Step Ten: Stuck? Tell us backstory! This is where Nanowrimo is beautiful. Tell us all about George’s struggle with his parents and how his fiancee died licking wedding invitation envelopes. Tell us about the trauma that Jerry had when he his girlfriend ate peas one at a time. Tell us about that time that Elaine, ahem, danced. In Nanowrimo (unlike your best work) you can have as much bleedin’ backstory as you want. This will add to your word count, will help you flesh out those characters, explain what happens in chapter 47 and help you understand where the story is going. Trust me.

Step Eleven: Stuck again? Put something unexpected in their path! Japanese businessmen! An NBC pilot!  A new J. Peterman catalog! Have your duo fight it out and regroup and get back to the task at hand. (That could kill a couple of thousand words right there!)

Step Twelve: Take a break and think about your ending. What do you want to happen? Do you want them to meet their objective or not? Brainstorm for 10-20 things that need to happen before your duo gets to the end. This is your very loose outline. From now on, as you get stuck, refer to this. Put Jerry and George in these situations or scenes and then get them out.

“I can’t die with dignity. I have no dignity. I want to be the one person who doesn’t die with dignity. I’ve lived my whole life in shame! Why should I die with dignity?” –George Costanza

Step Thirteen: When you get about 10K from the end, try to wrap it up. Get your main characters in positions where they can see the light at the end of the tunnel. If you’re having trouble, make a coincidence work out for them. Have a high school buddy show up with a solution. Don’t even worry about the logic of it. The important thing is that YOU ARE 10K FROM THE END! You need to fill that space up with something. Sometimes all we need to see what happens next is to put our fingers on the keyboard and plow through. You might be surprised what you figure out for your characters.

Step Fourteen: When you hit 50K, CELEBRATE!  You deserve that badge! You deserve a pat on the back And don’t worry about the story.

Put it aside for a minimum of three months. Do it, Jerry. Do it!

Step Fifteen: When three months have passed, get the story out and go on a search and rescue mission. You are now digging through the haystack looking for the needle. You are digging through the stable full of ca-ca, looking for the pony. You are mining for diamonds in the cave. DO NOT PUBLISH THIS, JERRY! I repeat! DO NOT PUBLISH THIS, JERRY! If you have any kind of sense, you will take that 50K words and see if there’s something salvageable, like an exchange of dialog, a good description, a well-drawn character or a little bit of a plot line. This is your good stuff. SAVE IT.

Step Sixteen:  Question my method completely. “What’s the point of writing like a madman for a month if all we’re getting out of it is a little bit here and there.” I’ll tell you. You are learning discipline. You are learning to think fast. You are learning to appreciate the struggle. You are learning basic storytelling elements. You are learning what doesn’t work. You are learning what is good and what is drivel. You are learning to write the hard way.

Nanowrimo is not HOW to write a novel. It is however, a way to build muscle and skills. To stretch your story-telling abilities. To gain perspective and insight. It’s good for you. And your car will look nicer too.

So, veteran Nano-ers? What do you think? How has past Nanos worked for you? 


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I am a fiction writing and time management coach. I help time crunched novelists strengthen their craft, manage their time and gain confidence so they can find readers for their stories.

Katharine Grubb is a homeschooling mother of five, a novelist, a baker of bread, a comedian wannabe, a former running coward and the author of Write A Novel In 10 Minutes A Day. Besides pursuing her own fiction and nonfiction writing dreams, she also leads 10 Minute Novelists on Facebook, an international group for time-crunched writers that focuses on tips, encouragement, and community. 

Top 10 Ten Ways To Be There For Your Readers By Way Of ’90s Television

I firmly believe that your readers can be your friends.

I think that if you are a wise author, you are looking at your readers not as someone who bought, read and reviewed your book, but someone who, could potentially turn into a raving fan. 

The term raving fan was coined by Kenneth Blanchard to describe a customer who enthusiastically promotes a company or service and would be a lifelong fan of the people behind it.

In the writing world, we can have raving fans too.

A writer who has raving fans will have an army or coalition of people who will always buy what they publish, they will always leave good reviews, they may also comment on the Facebook page or communicate with you on other social media. But the most important thing they will do is passionately tell other people about you. 

You can’t get raving fans overnight. You have to cultivate the relationship. You have to be friends.

You know, FRIENDS. 

Top 10 Ten Ways To Be There For Your Readers  By Way of 90s Television by Katharine Grubb 10 Minute Novelist

 

Top 10 Ten Ways To Be There For Your Readers By Way Of ’90s Television

1. Be as accessible to your readers as Chanler & Joey was to Monica & Rachel.   Your social media presence should be there to nurture relationships, not just push your sales. Carefully consider every way that you and your brand are represented. If it’s not welcoming or easy to find, make some changes.  It’s this frequency and accessibility that can build a relationship. Just don’t come in unannounced. 

2. Be as generous as Phoebe was when she found a thumb in her soda.  In the relationships with your readers, make giving your default setting. Does someone need advice? Give it gently. Does someone have a question? Answer, and do a little digging for them. Give without any expectation of return. Readers will flock to writers who have something to offer — and I’m not talking about your free download. I am talking about your practical advice, your words of inspiration, or your funny stories. And if Ross ever needs fashion advice, make sure you give him the right bag.

 

3. Be as interested as Joey is when Rachel’s sister visits. But more appropriately.  This could be your How You Doin’  strategy. Take the time to ask readers about themselves. What is their life like? What do you have in common? I find that if I turn my purpose from “connect with readers” to “make new friends” not only is it more fun, but I walk away far more satisfied. I also lay the groundwork for future conversations that could evolve over time into rich relationships. Nobody knew in season one that Monica and Chandler would get married in season seven.

4. Be as excellent in your writing as Monica was in the kitchen. This is a pretty important item on the list. If you have entered a relationship with a reader and they have actually paid money for your book, then you better respect that bond!  That means your book should be the very best it can be — professionally designed and edited, followed the rules of good storytelling and presented well.

5. Be just as authentic as when Monica and Ross danced on national television.  It never ceases to amaze me how much people are drawn to me when I am honest about my weaknesses. It seems counter-intuitive; we think we should hide our flaws. There are some dance moves that should stay in the family room in 1989. But I’ve found that the more real I am, the more my readers (who are now my friends) circle around me to support me. My weaknesses then becomes my strength. Maybe it didn’t for Ross and Monica.

6. Be a soft sell, which means don’t take marketing lessons from Marcel the monkey. This whole “buy my book” mindset of many authors in social media is beyond annoying, like Ross’s pet you can be smelly, loud and it feels like you’re throwing poop at me. I suggest you scrap any sales strategy that is repetitive and one-sided. Instead, lower your expectations for numbers, work on finding readers one at a time and stick it out for the long haul. This type of strategy will work far better for you in the future.

7. Be light-hearted like a couch-centered situation comedy. Don’t take yourself so seriously. Yes, you’ve written a book. That’s a great accomplishment that thousands if not millions do every year. If fight for that image as a special snowflake then you’re pushing people, and potential readers, away.

8. Be consistent, like Phoebe’s song lyrics. This is also a pretty important item on this list. Your brand needs to be predictable. Your readers need to know that when they pick up a book with your name on it, they can expect certain things. If you’re a blogger, you need to stick to a schedule. Consistency keeps your words in front of your readers so they don’t forget you.

 

9. Be yourself, unlike Joey’s acting.  If you keep looking to the right or left so you can copy what that other writer did,  you need to STOP IT RIGHT NOW! You will never get anywhere by trying to be derivative! Instead write freely, with blinders on, doing the best you can in your own voice. (That doesn’t excuse you from being excellent!)

10. Be unique like Rachel’s haircut. Our lives are filled with unique stories, experiences, struggles and pain that qualifies us to have a niche in this world. Take the time to find yours. Don’t rush this. Everything that you’ve experienced, good or bad, has been given to you so that you can use it to be generous to others. Your readers need you.

Now, realistically, this could take a long time. Longer than Ross and Rachel’s relationship. But I’d like to argue that the hard work of investing in people, asking them questions, looking for opportunities to be generous to them, remaining authentic, will pay off for you as your platform grows.

What else is there? What else can we do to love our readers? As a reader, how do you like to be appreciated? I’d love to hear your thoughts on this!