I did it! Despite going away for a week, having no plan, no outline and no idea what I was doing, I put in the necessary 50,000 words required for National Novel Writing Month. So, I won! I’m a winner! WOO-HOO!
Now before I get too excited, I need to realize that word count alone doth not a novel make. Oh my. No. So this little blog entry is to explain what my particular messy 50K word work-in-progress is and is not.
What It is: A long brain spew. This isn’t a bad thing. I really believe that the best books resemble icebergs. What is read in the published form is only the tip. This is a critical part of the story creating process, but not really worth keeping. To use another metaphor and to borrow from Hemingway: first drafts are a load of ca-ca, but I think that there’s a pony underneath it all.
What it is not: Readable.
What it is: Illuminating. One morning, about 35K into it, I was thinking about snails. (I am a homeschooling mother of five, so this topic of conversation comes up far more often than you would think) and a specific kind of snail from Indonesia stuck in my mind. This snail became a metaphor for me personally, then I realized how awesome it would be if my point-of-view character had a fascination with this kind of snail and what that would mean for her personal objectives. How could I use this for a symbol? I was delighted and wrote hundreds, if not thousands of words about her, snails and what it means in her life. From there I got more ideas for scenes and plot points. I struck gold.
What it is not: Concise. It takes more than a bunch of symbols to make a story. But I’m getting there.
What the characters are: Fuzzy. I’m not too big on physical descriptions. Instead I’m far more interested in motivations and obsessions that drive a person to make the choices that they make. It does help if I have a mental image to go on, but I don’t want my readers to be bogged down on whether or not my romantic lead has a dimple in his chin. The fine-tuning of hair color can come later.
What are the characters are not: Shallow. I never really care what flavor of ice cream they like and I’ll probably never bother with details like that.
What the plot is: Low-concept. I prefer character driven plots, where people change rather than plot-driven stories where something is stolen or something blows up. I do see an accidental shooting of a prize-winning show dog in this story. But overall, my work in progress is far more about people changing for the better or worse.
What the plot is not: Easily organized into scenes. Oh well. Someday.
What the setting is: Very clear. This story is set in the town that my husband grew up, Leominster, Massachusetts. I’m going to have my point-of-view character work in the same family business that my husband’s family worked in. I can get first hand knowledge of the goings-on, the potential for conflict and culture. I’m really excited about it.
What the setting is not: Done to death in other books. I hope.
What the next step is: To wait. I’m planning on letting this little 50K project simmer in a drawer for a while. I’ve got other projects to attend to. I’m moving house. I’m celebrating Advent and Christmas. Life is getting in the way. If this is really a good story, then it can wait until I can give it my full attention. I’m not worried.
What the next step is not (and never, ever should be after Nanowrimo): Sending it in an attachment to every agent on the planet.
So, what about you? Did you write 50K in November? What is it? What is it not?